Jason Wason
Silent Witness
Broken Promises
40x47
Stop Calling Dead Children Collateral Damage You Fuckers
28 x 40
Stop Calling Dead Children Collateral Damage You Fuckers
28 x 40
Stop Calling Dead Children Collateral Damage You Fuckers
40 x 56
Shield
62 x 62
Shield
62 x 62
Shield
62 x 62
Shield
52 x 52
Lost Soul
Lost Soul
Lost Soul
20 x 56
Pouring Vessel
38 x 52
Pouring Vessel
38 x 52
Empty Shrine
29 x 25
Axe Head Vase
28 x 43
Ancestor Jar
51 x 28
Dark Tower With Red Cloth
90 x 12
Tower with Red and Yellow Slik
110 x 12
Tower with Orange Slik
110 x 112
Guardian Vessel (Bronze)
26 x 87
Mother's bowl
30 x 55
Reliquary (Bronze)
20 x 50
Zig Zag Bell
12 x 72
Silent Witness (Bronze)
165 x 25
Black and Gold Lidded vessel
42 x 54
Red and gold studded bowl
33 x 54
Meeting of Minds
25 x 45
The Crossing
35 x 42
Red & Gold Vessel
33 x 40
Mandala Dish
5 x 45
Low Vessel
16 x 35
Sealed Vessel
56 x 55
Temple Top Vessel
62 x 48
Red and Gold 9 Stud Bowl
13 x 33
Red and Gold Jar
39 x 25
Plaza
16 x 50
Plaza
12 x 48
Temple Top vessel
45 x 52
Temple Top Vessel
30 x 44
Low Slung Vessel
25 x 44
Studded Vessel
45 x 40
Black and Gold Jar
20 x 17
Red and Green Jar
16 x 15
Textured Jar
16 x 16
Four Reds
49 x 52
Red & Gold Bowl
25 x 45
Red & Gold Incised Bowl
28 x 48
Low Vessel
13 x 19
Studded Vessel
22 x 46
Red & Gold Jar
12 x 13
Red and Gold Jar
18 x 16
Red and Gold Jar
32 x 26
Red & Gold Jar
20 x 20
Red & Gold Studded Jar
18 x 16
Gold Jar
16 x 12
Small Vessel with Handles
8 x 14
Zig Zag DIsh
48 x 48
Scaled Jar with Handles
16 x 14
The Meeting
14 x 24
Red & Gold Jar
18 x 14
Mandala Wall Piece (ceramic and acrylic)
53 x 53
Temple Top Vessel
44 x 50
Chequered Bowl
12 x 24
Chequered Bowl
13 x 24
Nine stud bowl
18 x 18
Black and Gold Jar
18 x 17
Nine stud Bowl
14 x 22
Nine
Low Slug Vessel
14 x 50
Low Lidded Vessel
16 x 40
Red & Gold Jar
19 x 16
Black & Gold Studded Vessel
30 x 25
Lidded Vessel
22 x 36
Inner Sanctum
25 x 42
Red & Gold Bowl
10 x 40
Small Jar
15 x 15
For all enquiries please contact LSG
+44(0) 1872 275757 [email protected]
An all-seeing eye
When I wrote a previous introduction for Jason Wason’s exhibition, ‘A Devil’s Box of Tricks’, (LSG August 2010), I suggested that ‘his visual language evolves slowly, with each pot wrought from his disciplined imagination’. For me the key word in this sentence is ‘wrought’, as there is a real sense that Wason’s body of work is drawn and shaped from his encyclopedic knowledge of the ancient pots produced in China, Korea, New Mexico, India and medieval England. Of course being knowledgeable is one thing, knowing how to apply knowledge is something quite different. To fully understand Wason the potter, one has to acknowledge the profound admiration and respect he has for the history and culture of these countries.
He is restless, obsessive and endlessly productive. His energy levels are high, constantly fuelled by the need to resolve his current project. He is psychologically unable to…
Professor Alan Livingston August 2014
