Listed in alphabetical order
Sam Hall is originally from West Yorkshire, UK and now lives in St Ives, Cornwall, UK. He has been making pots since 1995.
“On the wall in St Ives based potter, Sam Hall’s studio is a single word, scored into the dust-covered plaster. ‘Fight’ it says. It strikes me as a call to arms, an imperative note to self that though life might be a struggle, success can be achieved through a willingness to engage and do battle..a glance at one of Hall’s pots, a work in progress on the floor, reveals another lone word. ‘Tune’ has been etched onto one side of the form which resembles a truncated crushed cylinder, but again, its appearance is inexplicable. ‘I don’t know why I wrote it’ says Hall. The Yorkshire born potter is not being difficult or evasive. His work, which is celebrated internationally, often makes use of random words whose origin is hall’s subconscious but whose meaning is never static or fixed.”Words by Alex Wade. Extracted from, “The Paradoxical Perfectionist’.
I am deeply embedded in European cultural influences, and as a teenager, had my eyes and heart open to European Modernism in art, music and literature. Spending my teenage years in the 60’s, the language of non figurative and abstract painting fell easily into my young and fertile consciousness and has been, an all-engaging life pursuit.
I am profoundly grateful that I found a voice, to express my aspiration, to become and to be, an artist at an early age. Thomas Merton commented that, “A man knows when he has found his vocation when he stops thinking about how to live and begins to live.” I began to live Painting and Making as a young teenager and knew then that this was my calling It has held me, obsessive, fascinated and engaged, throughout my life.
Susanna Bauer uses what is small and fragile to express what is universal and enduring in our coexistence with each other and the natural world. In a uniquely conceived approach to craft, Bauer works with the everyday, inconspicuous details of our natural surroundings, skilfully embroidering found magnolia leaves with a halo of cotton thread and coaxing others into finely constructed three-dimensional shapes.
Her work draws out from each tiny object its own unique story of creation, existence and belonging in a way that mirrors our own exceptional path through life.
John Bellany studied painting at Edinburgh College of Art under Sir Robin Phillipson from 1960 to 1965. During this time he gained an Andrew Grant Scholarship in 1962, taking him to Paris and in 1965 he received a Postgraduate Travelling Scholarship enabling him to travel to Holland and Belgium. He went on to attend the Royal College of Art, London, where he studied under Carel Weight and Peter de Francia from 1965 to 1968. Bellany went on to be Lecturer in Painting at Brighton College of Art in 1968 and from 1969 to 1973 was Lecturer in Painting at Winchester College of Art, Visiting Lecturer at the Royal College of Art and at Goldsmiths College of Art. From 1978 to 1984 he was Lecturer in Painting at Goldsmiths College of Art and was Artist in Residence at Victoria College of the Arts, Melbourne in 1983.
Bellany’s first solo exhibitions were held at the Dromidaris Gallery, Holland (1965), at Edinburgh College of Art (1968) and at Winchester School of Art (1969). From 1970 he exhibited in solo shows annually throughout the UK. His first international solo exhibition was held at Rosa Esman Gallery, New York in 1982 and this quickly led to a string of exhibitions around the world. In 1986 he was given the first solo show ever to be held at the National Portrait Gallery, London, centred around his portrait of Ian Botham, commissioned by the NPG. He also had a solo show at the National Portrait Gallery, Scotland in 1994, exhibiting his portrait of the composer, Peter Maxwell Davis commissioned by the gallery; this was surrounded by other works by Bellany, held in its collection.
Retrospectives of his work were held in 1983 (touring the UK, the United States and Australia), in 1986 at the Scottish National Gallery of Modern Art, Edinburgh and the Serpentine Gallery, London, in 1988 at the Ruth Siegel Gallery, New York and at the Hamburger Kunsthalle and Museum am Ostwall, Dortmund (1988-89). His work has also been included in many key group exhibitions both nationally and internationally since 1963.
Among Bellany’s numerous awards are the Burston Award at the Royal College of Art (1965), John Moores Prize Winner (1980), Major Arts Council Award (1981), Athena International Art Award (joint first-prize winner, 1985) and the Royal Academy’s Wollaston Award (1987). In 1992 he received a British Council visit to Central Europe and in 1993 he won the Korn/Ferry Picture of the Year Award at the Royal Academy. His commissions include murals for Chesser House, Edinburgh (commissioned by the Ministry of Agriculture and Fisheries in 1965) and the portraits of Lord Renfrew and Sir Roy Caine (commissioned by the National Portrait Gallery, London).
Bellany was elected Fellow of Trinity Hall, Cambridge in 1988 and in 1994 was awarded the CBE. He went on to be given an Honorary Doctorate by the University of Edinburgh in 1996 and an Honorary D Lit by Heriot Watt, University of Edinburgh in 1998. He was elected RA in 1991 (ARA 1986), Honorary Member of the Royal Scottish Academy in 1986, and in 1998 was made a Senior Fellow of the Royal College of Art, London.
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